Satellite touchstones from the WATT universe include the headstrong radicalism of “Walking Batteriewoman” ( Social Studies, 1981), the gospel warmth of “More Brahms” ( Sextet, 1987), and the sensual “Fleur Carnivore.” The latter, from her 1989 album of the same name, glistens with sweat and tears, turning solos inside out until their grit becomes palpable. The following decade unwraps the gift of “Silence” on 1983’s The Ballad Of The Fallen, an ECM production from bassist Charlie Haden’s Music Liberation Orchestra that reads some of Bley’s most mournful writing with depth and passion. From that epic amalgamation of poetry, jazz, and theater comes “Why,” a masterstroke (in an album replete with them) sung with solid charisma by Linda Ronstadt. It seems there is little disagreement when it comes to shortlisting Bley’s most enduring works, and we can be sure that 1971’s Escalator Over The Hill would be one of them. And while the scope of her talents as composer and pianist can hardly be confined to a single disc, the fact that Bley herself (as every :rarum artist) chose the tracks presently collected means we can trace her fingerprints back to origin.
Color me overjoyed to see a :rarum compilation dedicated to Carla Bley, especially because most of its material does not appear on ECM proper but rather on Bley’s own WATT sublabel.
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